Was never able to use it on stage because it was far too bassy but used it on Stand Up on Nothing is Easy. I loved the shape of it and, switching from an Airline, I liked the shorter scale neck. I played it through an Acoustic , which seemed to be the biggest bottom most road durable amp of it’s day – Dennis Dunaway, Alice Cooper The difference between the EBO and the EB3 was the extra pickup and associated electronics in the bridge position on the EB3. Both used the same materials, mahogany bodies and necks maple necked from with rosewood and occasionally ebony fingerboards. During much of the production run, the EB0 had a 3-ply pickguard b-w-b whilst the EB3s had 5-ply b-w-b-w-b. Strengths Short scale, mahogany throughout and the unique Gibson EB humbucker made for a quick playing bass with a heavy heavy sound. Weaknesses Sixties EBOs sixties Gibsons in general were prone to breaks in the headstock, around the body-neck join and also around the input jack. The back slanting headstock is unfortunate; if a guitar falls backwards, it’s headstock generally hits the ground first.

Eric Clapton’s Guitars and Gear

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Fender Mexican Standard Stratocaster review Fender’s entry level Standard Series Stratocaster just got better. £; The neck position in particular is a superb voice for smoky electric blues and, when backed off, those cleaner Frusciante moments. Gibson Les Paul Junior. 1.

Best Jump on these while they are still here and available!! The values have drifted a little measure about. In fact, I have sold over a dozen or so of these over the past year and these examples are by far the cleanest I have seen in a long time!! Gauranteed to work upon arrival! Please mail with any questions.

So this It is the reason it was prematurely retired years ago. Notice that this pickup bottom plate has the regular mounting holes , as well as the diagonal corner holes as used on early 50’s les pauls. The volume pot probably needs to be cleaned or rebuilt to make this wire harness function to it’s best and complete capability.

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In the first of a double post, he describes two kinds of elements used for amplified blues harp and… well, it gets technical after that. There are many kinds of elements in all of microphone-dom, including ribbon mics, condensers, electret, crystal and dynamic. Acoustic players may well use any of these. However, except in the recording studio, amplified players will only be concerned with dynamic and crystal elements. There is no such thing as a mic element designed for harmonica players.

Find great deals on eBay for fender blues jr amp. Shop with confidence. Skip to main content. eBay: Fender Amp Cover For Blues Junior Amp, Brown, MPN See more like this. Fender Amp Cover For Blues Junior Combo Amp, Black, MPN Brand New. out of 5 stars.

Expect some inaccuracies and typos. About two years after that, he started playing more seriously and began practicing non-stop. King, Clapton developed a distinctive style and rapidly became one of the most talked about guitarists in the British music scene. During this time, Clapton really began to develop as a singer, songwriter, and guitarist. Cream had sold a millions of records and have played throughout the U.

According to Eric, he received this guitar as a gift from his grandmother: That got me into the band, and then we started making money, I found I had nothing else to spend it on but guitars, so maybe once a month I bought a guitar. Blues Power — GuitarWorld. If you happen to know more, as always — shoot us a message using the contact form at the bottom of this list. In the book he also goes on to explain how the Kay had no truss rod, which resulted in the neck bowing — making it even harder to play.

It was the same guitar I had seen Alexis Korner playing, a double-cutaway semi-acoustic Kay, which at the time was quite an advanced instrument, although essentially, as I later learned, it was still only a copy of the best guitar of the day, the Gibson ES The Gibson would have cost over a hundred pounds then I think, well beyond our reach, while the Kay cost only ten pounds, but still seemed quite exotic.

It captured my heart.

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The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well. In addition, the dating-by-serial number tables have been revised and are more accurate.

The bad news is that there is still a lot of work that needs to be done on the silverface amps.

Fellow Fender amp researcher, Greg Huntington, passed away June 5, after losing his battle with cancer. Greg kept his illness very private, even from this author. His passing is a great loss to this research team and the Fender amp aficionado community in general.

Sometimes when it rains it pours The amps of Yesteryear Every player is inherently on a quest for tone, or more aptly, a quest for satiation when it comes to guitar tones. I am one of those players. I am also one of those players who’s experience has shaped and directed me down a tone-path looking for this satiation. I remember my first amp – a Squire 15 solid state amp. It was cheap and did what was necessary. It made my first electric guitar a It was inherently a clean tone amp, but if you flip-floped the gain structure by switching it from a gain low, master high to gain high to master low, you could create distortion.

For a kid in high school this was epic. Until I got lazy. I didn’t like that if I wanted clean then distortion, I had to fiddle with my amp. I wanted a one-button change–and I knew they made them.

Martin Guitar Buying Guide

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Tweet Gibson USA’s lineup of electric guitars finds the sweet spot between tradition and innovation Gibson just lifted the tent flap on its new electric guitar offerings and early indications point to as a banner year for the brand. And Gibson is also giving some of its more exotic models facelifts in the coming year. A lot of work goes into the neck carve and fretwork of the Les Paul Faded T to evoke that sense of a seasoned and familiar instrument that fits you like the proverbial glove.

The Mahogany slim taper neck is a nod to modern shredders while modern R and T humbuckers exploit all the tonal goodness and resonance churned out by the weight-relieved body. The faded finish underscores the sense of holding a veteran axe. The gloss finish gets a carefully applied treatment giving it a convincingly worn appearance.


Varying editions[ edit ] Like many Fender amplifiers particularly in the Hot Rod series , many limited edition versions of the Blues Junior have been manufactured since its introduction in The original circuit board underwent a major redesign in , when production moved from the US to Mexico. The earlier circuit boards are green in color and are noted for a “darker,” more bass-inflected tone. Many green board models have excessive noise in the reverb circuit, as the signal is inserted into the reverb after the master volume.

The later circuit boards are cream or tan colored and sound “brighter” or more treble-oriented, with the reverb situated before the Master volume. Some of these have been artificially aged from the factory and are known as Lacquered Tweed “Relic” editions.

The amp is a simple, single-channel design inspired by original circuits dating back to the s and earlier. The SR Supro Reverb combo has controls for .

There is no reliable way to date amps other than to ask Fender customer support to look up the date from the serial number, although you may find a date code on the speaker. Early Tweeds The early green board tweed-covered amps were not lacquered. Once again, only the speaker is different. It is not old stock.

It has the same cream board inside with the same components as every other current-production Blues Junior. Other Variants The Blues Junior chassis has also been used in the Two-Tone, a large amp with a inch and a inch speaker. The chassis can also be found in the weird, plastic-cased Deco-Tone and in some Custom Shop amps with exotic wood cases such as bubinga. Other cabinet coverings include blond Tolex, dark brown Tolex with a wheat-colored grille custom for a Canadian music store chain , and the Texas Red Tolex.

Stock Speakers Outside the chassis, Fender has used several different speakers in some Blues Junior models. This is a good, all-around speaker. But it cuts through the band well.

Billie Joe Armstrong

Read on to find out more about these families and some specific models. X Series Featuring solid spruce or spruce- or mahogany-grained HPL high-pressure laminate tops, and mahogany-, rosewood-, or koa-grained HPL backs and sides, Martin X Series guitars are among the most affordable Martins. Acoustic-electric models feature onboard Fishman Sonitone electronics for plug-and-play simplicity in amplified settings. Available in 6- and string models in a wide range of body shapes and sizes, they are an excellent choice for a first guitar and for the musician on a tight budget.

Martin uses some innovative and environmentally friendly materials in constructing X Series guitars.

Fender blues junior for sale or trade Kingston 10/11/ Looking to either sell this amp or trade it for a guitar of equalvalue some brands I’m into; Fender Gibson Gretsch G&l Danelectro Eastwood Godin.

So, it is worth recalling the distinctions that existed at the times these entities performed and recorded So, it is worth recalling the distinctions that existed at the times these entities performed and recorded. By the early ’70s, they had begun playing musical instruments and added a rhythm section consisting of brothers Aston “Family Man” Barrett bass and Carlton Carlie Barrett drums. After recording extensively in Jamaica, this unit was signed to Great Britain’s Island Records, which issued its label debut, Catch a Fire, in April , followed by Burnin’ in November.

These albums attracted critical attention but did not chart at first. The breakthrough for this group was their appearance at the Lyceum in London on July 18, The show was recorded and quickly released on LP as Live!

Guitar Player Magazine Backissues

The first model GA-5 Les Paul was introduced in Ciruit wise this amp is an almost identical copy of the Fender Champ 5C1 circuit. It was fitted with a Jensen 10″ field coil speaker. It had a ‘TV’ style cabinet. The Skylark name came in Note the ‘TV’ front panel.

With a rich history dating back to , the Martin 17 Series have clean, vintage styling and can be used to produce satisfying sounds in diverse styles of music. Martin 17 .

Rockabilly version of a traditional blues recorded by Jerry Lee Lewis in or Problems playing these files? Origins of the blues The first publication of blues sheet music was in Antonio Maggio’s “I Got the Blues” is the first published song to use the word blues. Hart Wand ‘s ” Dallas Blues ” followed in ; W.

Handy ‘s ” The Memphis Blues ” followed in the same year. But the origins of the blues were some decades earlier, probably around Charles Peabody mentioned the appearance of blues music at Clarksdale, Mississippi , and Gate Thomas reported similar songs in southern Texas around —

Mojotone Blues Jr Conversion 2×10 combo cabinet – Turn your Blues Junior into a 210!